Damn....
Powerballad... In a good way. Not in the Phil Collins kinda way. lol
The ending was a cool idea. Reminded me of what Bob Dylan said in his autobiography(not literally, just the meaning hehe): 'the most interesting part of a piece of music are the parts that you expect, but don't hear.'
There's a whole lot of truth in that.
The lyrics and melodies were pure awesomeness. Very catchy. Cool.
Fuck it, I'm going to get right to the point, no sense in mentioning all the good things, there's too many lol
OK:
The drummeroonies:
Turn them down a notch, they're too mighty. The snare rips everything apart in my opinion.
At the beginning verse: the closed fast highhat hits are not... grooving. Half the pace, open highhat would make it ultra groove and give the riff a new bad ass meaning. (same goes for the 'same' part starting at 1:13)
You are totally right, those symbol chokes really don't cut it, they really don't fit there. How about you just leave the symbols out at that part and make a tom groove, that would make a great transition for the next part. Or combine that tom groove with a crash on the 1, following the guitar stroke.
Hm, some fills are missing, too. Hm...
Vocals also need to be louder, they are too sweet to be this quiet!
Loved the string reverbish part. really takes the song to another level.
The drums could go 'apeshit' after that, this is a part where there's no vocals, so you have a lot more room to experiment with drum fills etc.
Just some ideas...
Awesome man.!
METAL!!